After less than three years, the revenue-sharing platform is closing. Michael Lawson argues that high-profile DJs who didn't participate have failed the dance music community.
After another year of overcrowding, the festival is clearly struggling to keep pace with the demand for dance culture. Time for a rethink, argues RA editor Gabriel Szatan.
Nyshka Chandran on why this week's shock layoffs are further proof that business interests and a tough economy are changing the way creative outlets are run and, in turn, diluting the art of criticism.
Writer, editor and co-founder of Borshch Magazine Mariana Berezovska issues a rallying cry to implicate the electronic music community in the fight for Ukrainian freedom.
In this opinion piece, Joe Siltanen argues that top DJs should know better than to perform at a government-organized event that uses electronic music to present a problematic state as relaxed, liberal and cultured.
The controversy over Dekmantel's 2019 lineup is a chance to take a "renewed step forward" in the discussion about equitable cultural exchange, writes Chilean-born, Brazil-based artist Valesuchi.
Andrew Ryce argues that, in order to prevent tragedies like last weekend's fire in Oakland, we need to support, not persecute, alternative venues like Ghost Ship.
In the first of a new series, Angus Finlayson argues that the "outrage cycle" that came to dance music this year could be a positive force for change—if used carefully.